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Ragas for Longing

31 ragas in the tradition are associated with longing. Which one suits you depends on the hour you are listening and on your own chart, so the times below matter as much as the names.

AbheriAfternooncarnatic

Warm afternoon devotion; traditionally associated with earnest calling out to the divine.

AhiriNightcarnatic

A rare, plaintive raga of longing. By convention it is sung sparingly and not first thing in the morning; treat as a grief-companion raga rather than a daily listen.

BageshriLate night / small hourshindustani

Night raga of waiting and love; traditionally deeply soothing before sleep.

BhavapriyaNightcarnatic

Introspective night scale.

BhimpalasiAfternoonhindustani

Warm afternoon raga of separation and sweetness.

ChandrakaunsLate night / small hourshindustani

Malkauns with shuddha Ni; luminous and still.

CharukesiEveningcarnatic

Bittersweet — brightness above, pathos below. Traditionally used to hold sorrow without being crushed by it.

DhanyasiMorningcarnatic

A devotional morning raga that turns the heart toward bhakthi.

DharmavatiEveningcarnatic

Tender and yearning; traditionally linked to devotional longing at dusk.

GamanashramaEveningcarnatic

Luminous dusk colour; traditionally associated with yearning and beauty.

Gujari TodiMorninghindustani

Pentatonic Todi variant without Pa; rarefied and inward.

HamsanandiNightcarnatic

Late-evening raga of rarefied beauty and yearning.

HemavatiEveningcarnatic

Soft and pliant; traditionally used to soften rigidity of mood.

KeeravaniNightcarnatic

Poignant and inward. Traditionally used for night-time contemplation and devotional longing.

KirwaniNighthindustani

Night raga, harmonically close to the western minor; introspective.

LalitBrahma muhurta / early dawnhindustani

The last raga of the night, sung as darkness thins; poignant and prayerful.

MadhuvantiAfternooncarnatic

Tender late-afternoon raga; traditionally used for wistful, softening moods.

MadhuvantiAfternoonhindustani

Late-afternoon raga of gentle yearning.

MarwaDusk / sandhyahindustani

Sunset raga without Pa; traditionally the mood of dissolution and letting go.

Miyan ki MalharSeason-bound (ritu raga)hindustani

The great monsoon raga; traditionally associated with rain, relief and cooling.

MultaniAfternoonhindustani

Hot afternoon raga; traditionally used when energy flags in the middle of the day.

NayakiNightcarnatic

Gentle, weighty night raga.

PatdeepAfternoonhindustani

Bright Kafi-family afternoon raga.

PiluAny time (sarvakalika)hindustani

Free, all-note light raga of thumri; traditionally used to lift low mood.

PuriyaDusk / sandhyahindustani

Shares Marwa's notes with a wholly different centre of gravity; inward and grave.

SarasangiEveningcarnatic

Graceful and devotional evening scale.

ShivaranjaniNighthindustani

Pentatonic of tender melancholy; traditionally a companion to grief.

SivaranjaniNightcarnatic

A pentatonic of tender sorrow. Traditionally used to let grief surface and settle.

SohiniNighthindustani

High-lying, ecstatic late-evening raga.

SriranjaniNightcarnatic

Gentle and rounded; traditionally soothing to a restless heart.

Todi (Miyan ki Todi)Morninghindustani

Intense late-morning raga of yearning; traditionally cathartic rather than comforting.

Two people cannot use the same raga for the same problem

The tradition matches sound to the chart, not to the symptom. Jeevanii reads your Moon's condition, your current dasha and your nakshatra, then names the ragas. Free, no signup.

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Browse all 157 ragas

Raga therapy is a traditional and complementary practice for emotional well-being, not a substitute for professional medical or mental-health care.